![]() ![]() Older models of typewriters required the use of multiple glyphs to depict a single character, as an overstruck apostrophe and period to create an exclamation mark. In normal handwriting, even long words are often written "joined up", without the pen leaving the paper, and the form of each written letter will often vary depending on which letters precede and follow it, but that does not make the whole word into a single glyph. ![]() However, a ligature such as "fi", that is treated in some typefaces as a single unit, is arguably not a glyph as this is just a design choice of that typeface, essentially an allographic feature, and includes more than one grapheme. They were originally typographic ligatures, but over time have become characters in their own right these languages treat them as unique letters. ![]() Some characters such as " æ" in Icelandic and the " ß" in German may be regarded as glyphs. However, in some cases, additional marks fulfil the role of diacritics, to differentiate distinct characters. In Japanese syllabaries, some of the characters are made up of more than one separate mark, but in general these separate marks are not glyphs because they have no meaning by themselves. However, in Turkish and adjacent languages, this dot is a glyph because that language has two distinct versions of the letter i, with and without a dot. Although these marks originally had no independent meaning, they have since acquired meaning in the field of mathematics and computing, for instance.Ĭonversely, in the languages of Western Europe, the dot on a lower-case ⟨i⟩ is not a glyph in because it does not convey any distinction, and an ⟨ı⟩ in which the dot has been accidentally omitted is still likely to be recognized correctly. In general, a diacritic is regarded as a glyph, even if it is contiguous with the rest of the character like a cedilla in French, Catalan or Portuguese, the ogonek in several languages, or the stroke on a Polish " Ł". For example, the grapheme ⟨à⟩ requires two glyphs: the basic a and the grave accent `. In most languages written in any variety of the Latin alphabet except English, the use of diacritics to signify a sound mutation is common. JSTOR ( September 2021) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources in this section. Occasionally, it has a crescent form, and at times, it wears a labret, indicating a feminine aspect.įor great examples of Native American art prints, see Affinity by Francis Dick, Love and Light by Margaret August, Mountain Eagle by Roy Henry Vickers.This section needs additional citations for verification. The face is normally that of a human, or a bird. The moon usually has a rounded face and relatively flat features. Among the Haida, it has been the exclusive crest of only a few of the highest ranking chiefs. Moon plays a part in the Peace Dance of the Kwakwaka’wawk, and in the Winter Ceremonies of the Huxalk. To counteract this, the Kwakwaka’wakw and Nuu-chach-nulth would light a large bonfire and add branches from pine trees to create smoke, causing the codfish to cough up the moon. In another legend, a giant supernatural codfish swallows the moon during a lunar eclipse. Sometimes it is seen in the beak of Raven, a reference to the creation story of Raven releasing the sun, moon and stars into the sky. The moon is frequently shown in association with Wolf, due to their nocturnal habits. Among other Indigenous groups it is often female, and more delicate and serene than the sun. This personification as a male entity is rare. The Nuu-chah-nulth honour the moon and his wife, the sun, as the most powerful beings of all. It is a guide, a protector, a guardian spirit, a timekeeper, and is associated with transformation. The moon appears in the mythology of all Northwest Coast nations. ![]()
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